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Hey Joel,Thanks for the questions I'd be happy to expailn .I love talking about this stuff!But first, let me say that the goal of this production isn't to demonstrate the full potential of the equipment, etc. The goals, in the order of priority, are:1. Make a fun and inspiring video about these recording sessions2. Demonstrate the brainstorming/decision-making process used to achieve a desired musical/sonic outcome3. Produce an effective track based on a deliberate idea of what that means for the given track (e.g., danceable or natural or ethereal or )4. Discuss the outcome with anyone and everyone, such as yourselfThe goal for this particular session was to create a dance track. Consequently, it may not sit well with certain people or settings. Nonetheless, we had a goal in mind, and I did my best to achieve it.Back to your production questions the compression on the drums is somewhat unrelated to the idea of drummer's point of view . The drummer's point of view is more related to the depth of field. That is, the mix was made to feel like you were sitting in the drummer's seat on the stage. The depth of field is created by the varying proximity of the instruments, from close to far: Bass, Percussion, Synth, Gtr, Horns, Vocals. The compression on the kick drum is a 3-band compressor. It's purpose is to shape the tone of the kick drum, specifically for the kick to have shake-your-booty' impact while still sitting nicely in the mix. If instead I just lowered everything else and turned-up the drums, the balance of the mix would be thrown off. Plus, the tone of the kick is exactly what was in my head for this track so I went for it!But this use of compression is somewhat different then reducing the dynamics of the performance (i.e., what is used to boost volume). Specifically, my use of compression on the kick is affecting the micro-dynamics that is, the dynamics of the envelope of the kick drum (the attack, decay, release, sustain). So, please keep in mind that this production style was used for this track for aes

Ho ho, who woudla thunk it, right?

butu gerai ir eurodyrektyva kaip naudingai galvoti

Reiškia Saladžiui į Harlemą geriau nevažiuoti. Juodžiai jam už visas panas ir pederastus tikrai į nosį duotų :)

man fainiausia būtų jei tokie nestandartai nuvarytų į Harlemo gilumą ir pavarytų drąsiai "kietą" juokelį apie juodžius - o va čia tai drąsa, va čia tai laisvė ir nestandartas. Panos ir pideratstai kažkaip tingi reaguot.

galima tai viską prašom.... prašom
tiesiog galvoti naudinga

butu gerai kad butu isleista euro direktyva (arba kokios nors vietines menotyrininkes pamokymai) kaip menininkui pristatineti savo kuryba ir kokiu zodziu negalima vartoti ir kokius zodzius reikia vartoti. nuo teksto eurostandarto juk labai meno kokybe priklauso

jo jo, reikėjo cenzūruoti. Arba parodos nedaryti. Labai jau nekorektiškai. Ypač ,,pana" skamba kaip didžiausias įžeidimas

Piešiniai tikrai tikrai puikūs, su kažkokiu tokiu psichologiniu cinkeliu.
Kas keistai nuteikė, tai prieš parodą siųstoje info dailininko tekste terminai: panos ir pederastai - nuskambėjo taip truputi šovinistiškai ir akimirkai sumažino simpatiją. O ar niekas negalėjo patarti be tokių dalykų apsiet...?